Paula Garcés is the sister of the previous owner and Alexander Bedria is her husband. Sharif Atkins plays the skeptical cop, Britt Baron is Natalie’s easily-spooked sister, Diana Hopper is the cute and flirtatious coed Kevin shares a class with as he heads back to school, But he’s wondering about the strange things going on, the bizarre subscriptions that turn up at their door, the firebomb somebody tosses into their car. “Pump the BRAKES on the melodrama!” her husband barks. And Natalie starts seeing things and hearing other things, a “slender, pale” figure slipping into the house, using the restroom. They move in, their dog starts whimpering at closed doors and bumps in the night. Despite her doubts, the fact that he didn’t consult her before starting the process, and despite the “disturbing” history of the house, Natalie goes along with this “fresh start.” That suicide wasn’t just a guy eating a pistol.
He’s quit college, taken up working with a biohazard crime-scene cleanup team ( Travis Coles and Jamie Kaler) prone to making wisecracks about a suicide victim creating “a Jackson Pollock on the wall” of their latest job.Īnd that’s when Kevin gets a really good deal on a house. She’s struggling to get her designer dress shop open. Greene plays Natalie, a clothing designer struggling to get her marriage to Kevin ( Shawn Ashmore of TV’s “The Rookie” and “The Ruins” and “Darkness Falls”) back on track after a “betrayal.” If you can make it to the ridiculously drawn-out and absurd finale - and Rotten Tomatoes has its running time wrong, it’s close to two hours - you’ll witness a good actress giving her all even when things go from straining credulity to nonsense. The plot is simple in execution, but deeply complex and troubling between the lines.“Aftermath” is a sluggish, convoluted domestic horror thriller that can’t be rescued by a fierce turn by its leading lady, “Twilight” alumna Ashley Greene. All about cinema: directors and actors, rating, trailers, related news, stills. Hamburg, 1946, shortly after the end of World War II. Ingrid Lacey, Eoin Lynch, Aoibhínn McGinnity, Celine Mullins, Eleanor Br. The British military arrives in Germany to reconstruct and repatriate what’s left of the bombed-out country. Starring: Keira Knightley, Jason Clarke, Alexander Skarsgård Written by: Joe Shrapnel, Anna Waterhouse, Rhidian Brook Colonel Lewis Morgan, a British officer (the versatile Australian actor Jason Clarke, so good as Ted Kennedy in Chappaquiddick) and his beautiful but reluctant wife Rachel (Keira Knightley) move to one of the most beautiful surviving estates in the city. Neither has recovered from the loss of their son in the German bombs that fell on London during the Blitz, so Rachel harbors a deep resentment against the German people. But Lewis, who has also carried around the burden of a broken heart that is now beginning to destroy his marriage, has more compassion for the German people than his wife, so as a gesture of kindness, he invites the dispossessed owners of the house to remain. Stephen Lubert (Alexander Skarsgård) was a respected architect who also lost his wife to the British air raids. Now he has been reduced to a menial job as a factory worker. His teenage daughter Freda (Flora Thiemann) is all the family he has left. Although her father was never a Nazi, Freda is a rebel who hates the British invaders. They co-exist for a time, avoiding each other while Rachel loses herself in the music she plays on Stephen’s grand piano. The film features a cast of lesser-known, yet quality actors and actresses. Gradually, though, because they are left alone so much in the house and because they share so many similar losses, Stephen and Rachel grow closer together and their friendship turns to a mutual need for sex and love. Our leading man is Nick Krause, who is best known for his role as Nigel Guire in the 2006 coming of age story, ‘How To Eat Fried Worms’, and his role as Charlie, in the 2014 drama/epic, ‘Boyhood’. Everyone relieves loneliness and pain in different ways. Rachel and Stephen plan to start a new life together. The melodrama, unfortunately, is not always convincing. The quality of the acting is so strong that the emotional impact is undeniable.
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